The Studio

Led from London. Crafted around the clock.

The Wicked is a London studio with a crew that spans nine countries. Direction, production and accountability sit in London; the craft is done by the best artists we can find, wherever they are. What binds it together is one pipeline, one taste, and an unreasonable standard for the final frame.

Studio online VAN 14:11 · LON 22:11 · LIS 22:11 · SEO 06:11
UTC−7
Vancouver
FX & simulation
Local 14:11
UTC+1
London
Direction & production
Local 22:11
UTC+1
Lisbon
Lighting & look dev
Local 22:11
UTC+9
Seoul
Character & animation
Local 06:11

A 24-hour production cycle. A shot lit in Lisbon at midnight is reviewed in London at breakfast and rendered before Vancouver wakes up — your film moves forward while you sleep.

What we believe

Three rules we never break.

If it reads as CG, it isn’t finished.

Photorealism is our floor, not our ceiling. Every material, every light bounce and every lens artefact is pushed until the frame is indistinguishable from — or better than — a physical shoot.

The best artist for the shot, not the nearest.

We hire on talent alone. Our groom artist is in Warsaw, our water specialist in Wellington — every shot goes to the strongest hands we can find, wherever they are.

Every frame is signed.

Nothing is outsourced, nothing is stock. If it’s on screen, someone on this team built it — and their name is in the credits.

How we work

From brief to final frame.

One pipeline, five stages, no hand-offs to third parties. You see the film taking shape at every stage — and every review happens on a call, not in a thread.

Brief & treatment

Week 1

We interrogate the brief, then answer it with a written treatment, references and a first visual direction. This is where the film is won or lost.

Previs & boards

Weeks 2–3

The full film in rough 3D — camera, timing, edit. You approve the movie before a single final asset is built.

Build & look dev

Weeks 3–6

Hero assets modelled, shaded and groomed. Materials are tested under final lighting until they behave like the real thing.

Lighting & render

Weeks 6–8

Shots are lit like a film set — key, fill, practicals — then rendered overnight on the farm while the team sleeps in three time zones.

Comp, grade & delivery

Weeks 8–10

Compositing, grain, grade and finishing. Masters in every ratio and cut-down your media plan needs, delivered ready to traffic.

2019

Founded in London

18

Artists across 9 countries

60+

Films delivered

0

Frames outsourced

The Team

Eighteen artists, one standard.

Leadership below. Behind them: modellers, groom artists, FX TDs, compositors and colourists — all in-house, all credited on every film.

⟢ WIDGET PLACEHOLDER — Team (4 portrait cards)

4-up grid of portrait cards (3:4 image, bottom gradient, location label bottom-left, name in Cormorant + role below). Placeholder portraits. Cards: Elena Vasquez — Founder & Creative Director — London · Priya Rao — Head of 3D — Lisbon · Marcus Hale — CG Supervisor — Vancouver · Sofia Brandt — Executive Producer — Copenhagen. Reusable Team widget hand-off (also used on Home).

Start a project

Wherever you are, so are we.

Tell us about the brand, the brief and the deadline. We’ll come back with a route to something extraordinary.

London — working with brands worldwide.
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